![]() The sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”-a song about finding refuge in the glow of intimacy. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout life,” as she phrased it in a message to Apple Music subscribers. ![]() On Midnights, her tenth LP and fourth in as many years-if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks-Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. A good song stays with you even when people or feelings don’t.” A good song transports you to your truest feelings and translates those feelings for you. “Writing songs is my life’s work and my hobby and my never-ending thrill. ![]() “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.Īnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. And even if you’re not interested in learning to program for iOS, go back and watch Loren Brichter’s talk, it’s a fascinating time capsule of how far iOS has come and the clever tricks programmers used in 2009 to get around the technical limitations of early iPhones.Let‘s start with that speech. When I started teaching myself programming I watched that first lecture series over and over, stopping to research things I didn’t understand as I went. It helps to have some basic object oriented programming experience before taking on this class, but don’t let that discourage you. Now, seven years later, Stanford has begun posting lectures for Developing iOS 9 Apps with Swift. But, perhaps my favorite lecture from that first class is a short talk Loren Brichter gave on the development of Tweetie, his Twitter client that was the first app to feature pull-to-refresh and was eventually purchased by Twitter. There are still a lot of good basic lessons on Objective-C, model-view-controller patterns, and other fundamentals in that first lecture series, even though Cocoa Touch APIs have changed substantially over the years. Back then, the course was taught by Apple engineers, which was unheard of at the time, and a perhaps a sign of greater openness to come. Stanford University has published an iOS programming course (CS193P) on iTunes U annually since the very first iPhone SDK was released.
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